Over Bernard Herrman's haunting score, the titles sequence for Vertigo begins with a close up image of Kim Novak's mouth, and the James Stewart credit appears. The camera then raises on the eyes of Novak, then her credit appears. The camera tracks left, centering on Novak's left eye, and tightens as the Hitchcock credit appears; then the title card slowly emerges out of Novak's eye, as the camera zooms into Novak's eye, a red filter is placed over the camera, and the trademark "spiral" graphic appears as the credits run, ending with the camera pulling out to Novak's eye again, at which time the director credit appears. To view it for yourself, take a gander at: http://www.youtube.com/watch?v=pz46qS38OgM
Now, what's so special about that? Well, everything. To begin, the credits encapsulate all the central theme of the film: Obsession- as shown by focusing on various parts of Novak's face. The spiral graphics and the red filter tell the audience that the film they are about to watch will have a certain surreal quality to it, that the film is not a typical thriller. The theme over the credits is (as previous mentioned) haunting, which implies that the film will have a maudlin quality, or a sense of tragedy will be pervasive. Of course, the spiral graphics (which are spinning through the credits) also evoke a sense of, well, Vertigo- immediately establishing an image with a word which may not be overly familiar with audiences.
In closing, the credits sequence is visually striking- beautiful beyond repair.
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